Mentoring Program

MMU AP Theory

916 userid
Theme is the part in the beginning with the chords.. transitioning to the 16 note melody line ending at the first fermata.
812 userid
This piece is for my AP Music Theory third quarter composition assignment and consists of a theme and three variations thereupon. The theme motive is something I have had stuck in my head for a while, and seems to be at least somewhat based on Edvard Grieg's Peer Gynt Suite No.1, Op.46, IV. In the Hall of the Mountain King.
804 userid
This is a motive for a Theme and Variation, written in a style similar to that commonly used by Chopin. Update: Instead of having put all of my noteflight entries into the same document, I made a new entry for all of them. Here's the others: Variation No. 1: mflms-mmu.learning.noteflight.com/scores/view/147e23524eebc5ec77a060d0b1651595ecae33a5 Variation No. 2: mflms-mmu.learning.noteflight.com/scores/view/e75301f53f75b9852be79205de8a28a2d20b837d
886 userid
A rough draft for the second variation with the melody swapped into the bass part/cello section. The top part, now with the harmony, is a violin solo instead of a section like the cello. I also fixed the harmony line in general to have less "stuff" to bring out the familiar melody.
886 userid
Went through the piece and fixed the cello line, looking at making some of the harmony simpler and also having no notes lower than the C. I changed the piece by adding a key change with the different harmony to elevate the composition and hopefully bring it farther than it would without the change.
916 userid
Piece written like its in 6/8 in some spots but in 2/4.